God u Love: Shri Allama Prabhu

Shri Allama Prabhu

Prabhu, who is otherwise known as Allama, Allaya, Allama Prabhu or Prabhudevaru, was probably born in the very beginning of the 12th century.

The exact date of his birth is neither known nor has it been ascertained by any of his biographers. His biographers can be divided into two groups: one holding all too human and the other all too divine view of him. Both views are wrong, for both lack the historical perspective and predominantly represent a mythological view.

Yet out of this legendary outlook we can glean a few historical facts. Prabhu was undoubtedly born of the human parents at Ballegavi, a village near Banavasi. His father's name was Nirahankara and his mother's, Sujnani. Karavura seems to be his family name. Ballegavi was set in the midst of palm trees, water-pools and rice fields

. The temple of Goggeshwara or Guheshwara adorned this inspiring setting. His parents were a devout couple and Goggeshwara was their family deity. Sujnani had often visitations from God, Goggeshwara, in her dreams. Nirahankara was the head of a dance school and was well versed in three branches of music. But a secret longing was gnawing at their hearts. It was the longing for a child. In her daily prayers, Sujnani appealed to God to bless her with a child.

One day she dreamt that she had been possessed by God. In the temple opposite her house the image of Shiva quickened to life under her own eyes. A ray of light penetrated to the depth of her being. In the course time, she conceived and gave birth to a child. The child, whom the world was to know as the Vairagya Chakravarti (the supreme renunciate) was named Prabhu. He was a little boy full of fun and life. Nobody imagined what giddy heights, what tremendous depths lay hidden in the little body of this charming child.

His artistic temperament and prowess were revealed when he was only six years old. He had inherited from his father's artistic temperament. A passionate instinct for the beautiful was the first channel which brought him in contact with God. But there was a rich undercurrent of asceticism which occasionally peeped through his demeanour. The mutually conflicting instincts for the artistic and the ascetic and for the beautiful and sublime struggled within him for supremacy. In the end, the ascetic instinct got the upper hand and turned him into a renowned 'renunciate'.

Poem

Allama Prabhu's poetic style has been described as mystic and cryptic, rich in paradoxes and inversions (bedagu mode), staunchly against any form of symbolism, occult powers (siddhis) and their acquisition, temple worship, conventional systems and ritualistic practices, and even critical of fellow Veerashaiva devotees and poets. However, all his poems are non-sectarian and some of them even use straight forward language. About 1,300 hymns are attributed to him.
According to the Kannada scholar Shiva Prakash, Allama's poems are more akin to the Koans (riddles) in the Japanese Zen tradition, and have the effect of awakening the senses out of complacency. Critic Joseph Shipley simply categorises Allama's poems as those of a "perfect Jnani" ("saint"). Some of Allama's poems are known to question and probe the absolute rejection of the temporal by fellow Veerashaiva devotees–even Basavanna was not spared. A poem of his mocks at Akka Mahadevi for covering her nudity with tresses, while flaunting it to the world at the same time, in an act of rejection of pleasures. The scholar Basavaraju compiled 1321 extant poems of Allama Prabhu in his work Allamana Vachana Chandrike (1960). These poems are known to cover an entire range, from devotion to final union with God.
The poems give little information about Allama's early life and worldly experiences before enlightenment. In the words of the scholar Ramanujan, to a saint like Allama, "the butterfly has no memory of the caterpillar". His wisdom is reflected in his poems–only a small portion of which are on the devotee aspect (bhakta, poems 64–112). More than half of the poems dwell on the later phase (sthala) in the life of a saint, most are about union with god and of realization (aikya, poems 606–1321). His poems use the phrase "Lord of the caves" or "Guheswara" to refer to Shiva, and this practice states Subramanian is because Allama Prabhu received his enlightenment in a cave temple.

I saw the fragrance fleeing, when the bee came,
What a wonder!
I saw intellect fleeing, when the heart came.
I saw the temple fleeing, when God came.

— Allama Prabhu, Shiva Prakash 1997, pp. 179–180

The tiger-headed deer, the deer-headed tiger,
Joined at the waist.
Look, another came to chew close by
When the trunk with no head grazes dry leaves,
Look, all vanishes, O Guheswara.

— Allama Prabhu in Bedagu mode, Shiva Prakash 1997, p. 180

If the mountain feels cold, what will they cover it with?
If the fields are naked, what will they clothe them with?
If the devotee is wordly, what will they compare him with?
O! Lord of the caves!

— Allama Prabhu, Subramanian 2005, p. 219

Look here, the legs are two wheels;
the body is a wagon, full of things
Five men drive the wagon
and one man is not like another.
Unless you ride it in full knowledge of its ways
the axle will break
O Lord of Caves!

— Allama Prabhu, Ramanujan 1973, p. 149